Chariots of Fire – Against the Odds

Before the movie became an international smash hit, Chariots of Fire faced significant roadblocks.

“Did you know? No film studio or distributor wanted the completed Chariots of Fire movie at first,” Ken remarked casually during my onboarding session over three years ago, when I first joined Half Crown Media to work on the Hudson Taylor movie, referred to in this article as Hudson.

 

Ken Haron, Half Crown Media’s Director of Partnerships and Development was helping me get acquainted with the intricacies of the film industry. I was taken aback. “No way! It was such a huge hit! You must be joking,” I responded. That comment has since served as a reminder that even a blockbuster like Chariots of Fire faced immense challenges and skepticism before it became a success.

Soo Loh, CEO of Half Crown Media
Soo Loh is Half Crown Media's Chief Executive Officer. She was born in Malaysia, grew up in Hong Kong, was educated in Australia and now lives in Vancouver, British Columbia, Canada. Soo has more than 20 years’ experience in business analysis and project and operation management. She is currently also studying at Regent College in Vancouver, where she obtained a master’s degree.
Chariots of Fire film still - Eric Liddell running

Even now, more than four decades after its release, the film continues to resonate with audiences. Yet, as David Puttnam, the producer of Chariots of Fire, shared in an interview with CNN, he never anticipated the film’s success and was indifferent about attending the Oscars. The film faced a myriad of obstacles, from a modest $6 million budget to significant logistical challenges. Puttnam recounted to Hannah Brown of the Jerusalem Post how, despite having a production deal with Warner Brothers in the late ’70s, a studio executive dismissed the project, tossing the original script into the trash. Even in an era when funding was less constrained than today, Chariots of Fire was far from an easy sell.

 

The film’s difficulties were compounded by its unconventional premise—a British motion picture rooted in a story many deemed too dated, with unknown actors in the lead roles and a soundtrack produced entirely by a one-man synthesizer-based band, Vangelis. Furthermore, Puttnam’s choice of Hugh Hudson, who had only directed commercials and documentaries but had never overseen a feature film, seemed like a gamble. Who could have predicted that a movie, initially marketed through word-of-mouth and preview screenings for niche groups such as the National Education Association, the Boy Scouts and Girl Scouts, and the American Jewish Congress, would become such an iconic success?

 

Chariots of Fire has become my inspiration—not only for its narrative, which explores faith, determination, and overcoming adversity but also for the story behind its production and release. The film’s journey illustrates how strong beliefs and unwavering commitment can lead to powerful and inspiring outcomes.

 

Doubts arise about whether Hudson, which we hope to begin producing next year, will attract an audience or impact viewers’ lives. But then I remind myself—what if it could be another Chariots of Fire? While it’s true that the success of Chariots of Fire was due to factors we may not be able to replicate, I firmly believe that Hudson is a compelling story that deserves to be told on the big screen. Both films recount God’s work and it’s God who can bring about the same impact.

 

Achieving greatness requires taking calculated risks, along with hard work and dedication.

 

I invite you to partner with us through prayer and finances to bring these powerful stories, beginning with that of Hudson Taylor, to life. What do we stand to lose or gain if we let this opportunity pass? Like Chariots of Fire, Hudson underscores the determination of underdogs and their ability to defy the odds. Will you join us in overcoming these odds to transform lives?

Image licensed under editorial-use rules by Alamy and ©ENIGMA PRODUCTIONS.

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